Trompe l' oeil - to deceive the eye

I always wanted to do something. I just started teaching, so I will be able to do it in a minute :)

Trompe l'Oeil's painting is a meeting place and after the famous explanation of Lacan at seminar XI, Grootenboer called it a gaze reversibility. Since the surface of the illusion portrays the encounter between the vanishing point and the viewpoint, the organization of the painting's perspective figure also shows the internal / external structure. She will explain in detail how its structure works with examples of gloves. Previously it was wrapped in leather, but glove lining appears. The appearance and intrinsicity were reversed without changing the structure of the gloves. To explain this metaphor, you can imagine that the fingertips of the glove are the point of disappearance, once it is withdrawn, it usually goes beyond the horizon to indicate the other side of the point.

Hanneke Grootenboer commented on Gijsbrecht and other 17th century Dutch fantasy paintings, and they have the ability to see them from the inside (Grootenboer 2005: 54). In the illusion of paintings, Grootenboer considers that the point of disappearance and the viewpoint seen are the same. In this convergence, one eye passing through the peep hole disappears at the other end of the path of the perspective similar to what the mirror suggested in Brunelleschian's presentation (vanishing point). Therefore, our viewpoint gaze is not invited to the image, in both cases it is forced to bounce off the image plane. Grootenboer wrote that "the pillar pointed to by the observer's eyes", "can not touch", or seen in this regard - collapsed from the viewpoint of observation (Grootenboer 2005: 54).