Transcendentalist Writers: Ralph Waldo Emerson, Henry David Thoreau, and Walt Whitman

All young people dream of getting out of their parents and building their own lives. They are anxious to follow their dreams, no matter how wild or crazy, and ultimately hope to put together their true self. When Christopher McCandley graduated and proceeded this way and talked to her family without words, he might seem like another ambition with too enthusiastic and uncontrollable freedom. A normal child. But McCandless is not an ordinary young man, he tries to escape the control of his parents and attempts to live unscrupulously on his own equipment.

Walt Whitman is the follower of the two transcendents Ralph Waldo Emerson and Henry David Thoreau. He believes in transcendental beliefs to Emerson and Thoreau. Whitman thinks that individualism arises from listening to his inner voice and his life is guided by his own intuition. The transcendental centers on the divinity of each person; however, he can self discover this divinity only when he has the independence to do so. - The dark side of Nathaniel Hawthorne, Nathaniel Hawthorne, Nathaniel Hawthorne, Nathaniel Hawthorne shows the fate of the family by analyzing the most "unpleasant" secret of the human soul (wonderful life 1077). Hawthorn has shown the decline of nobility for past sins. He reveals the truth of the human heart using allegory to his character's character and emotion (biography)

Such extraordinary writers such as Henry David Thoreau and Ralph Waldo Emerson still showed their influence and imagination as Walt Whitman's romantic realism was as yet. Emerson is a leading transcendental writer who was strongly influenced by romanticism, especially after meeting the leaders of the Romantic movement in Europe in the 1930s. He is best known for the romantic influence of prose like "Nature" (1836) and "Self-reliance" (1841). Emily Dickinson's poem - hardly read in her own era - and Herman Melville's novel "Moby Dick" can be seen as a representative of American romantic literature. However, in the 1880s, psychosocial social realism competed with fictional romanticism.