Tragedy and Comedy

The theater is a natural way for us to hear and tell stories, in a way primitive and powerful than written text. In the worst case, the theater will be passive; in the best case it not only will entertains, it will move and shape that audience. Two kinds of drama or drama always achieve this effect. The tragedy represented by the mask of the crying actor is usually the fate of the title character led by God, or the destiny from great to devastating. Oedipus Rex written by Sophocles is representative of the classical tragedy defined by Aristotle (96-101).

Comedy, tragedy and religion have been intertwined since ancient Greece, and comedies and tragedies have emerged like religious ceremonies. This revolutionary book analyzes the worldview of tragedy and comedy and compares it with the major religions in the world. Moleor contrasts tragedies and manga with 20 psychological and social aspects and uses them to analyze the traditions of the East and the West. There is no religion embodying a purely tragic or comic life view, but most are tragic and most are comic. In the eastern religion, Morre did not find a strong tragic outlook, but in Taoism and Zen in particular he found the characteristics of an important cartoon. In the Western monotheistic tradition, the early Bible had some cartoon features, but a tragic vision dominated through the late Hebrew Bible. For the past two thousand years, they have taken no measures to reverse Judaism's tragic concept.

Comedy and satire developed from tragedy. The oldest known comedy is that it is part of a tragedy or a single tragedy secretly lurking as a character exaggerated in tragedy in tragedy, clothing, masks deceive. Soon, the entire comic drama appeared. These are called "old comedies" and refer to comedies that run during the period that pellicle established democracy. 450 b.c.e. Old comedy, according to strict tragedy form, including chorus

Drama is usually divided into two categories. It is tragedy and comedy. Each of these two categories has specific rules and characteristics that can be used to identify the drama as a tragedy or comedy. On the surface, the crucible seems to be a tragedy. I will decide whether I agree with this game classification. If you do this, remember to make it a tragic game element. If you do not agree that The Crucible is a tragedy, or if you think that it is hybrid, please use your evidence directly extracted from the text to keep your position. To help with this, be sure to check out a similar topic of "Salesman's Death".