Traditions and Culture: Ghosts or Outcasts

Person 's career may affect their perception of others in the world. By having direct contact with the motherland, they can have confidence in themselves and their heritage. Therefore, even if they travel or permanently migrate to a new country, they can maintain their traditions and culture without feeling ashamed. They believe that the indigenous peoples of the new country and their traditions / culture are strange and unusual, so they chose to treat them as abandoned or "ghosts". But the concept of "ghosts" can take a different approach, especially for immigrant children.

The phrase "ghost" has several different meanings in the story. A ghost is an intangible memory, an abandoned person, a person other than a Chinese person, or a deceased person. In the United States, the ghost is a Chinese ghost "white ghost" or somewhat distant "robbery". Because their habits are difficult to understand, they are ghosts of immigrant Chinese. In the United States, the memory of the deceased may also bother the bravest Orchid children 's first two children, an unnamed aunt, and later a lunar orchid later. In China, all kinds of ghosts are very rich. The narrator explained, "In the structure of the village, the soul shines in living things." "Unnamed" Auntie is a ghost of her life, as she is an abandoned person. Narrator claims that her aunt's ghost - her spirit - bothers her. Through this, she may mean her aunt's spirit or just her memory

Narrator imagines the end of her aunt's life. "Ghost! Dead Ghost! Ghost! You have never been born." She bore a pigsty alone, her newborn baby is a "small ghost" abandoned like a mother. The hero explained that her aunt drowned with her and showed her the love and compassion of her child. She may have simply abandoned the child, but "a child loving mother goes with a child." She knows that her child will grow to become a citizen. Ghost, even before her death, the baby may be a girl. If it is a boy, it is your favorite gender, her aunt has hope for that future and may leave it in the village to take care of it.

In fact, every culture has a ghost and an unforgettable tradition. Ghosts and memories, history and loss are inseparable. They show how individuals and groups have internalized their history and how we protect and reluctantly unstable past events. Ghosts can be location specific: You may have multiple rumors and stories of witness, wealth or incredible "unilateral" emotions at any given place. One example was a wonderful expression at Patricio Guzman's documentary "Nostalgia for the light" in the Atacama Desert in Chile, but it was the location of the Pinochet concentration camp. The body of the body. Ghosts also follow our era and technology. The ghost of Prudencio Aguilar in the centuries of loneliness of Gabriel García Márquez died as a youth, the age with the Buendía family