"The writer is like a photographer," Donald Murray reminded us. The photographer does not take pictures while scanning the entire scene. Instead, he focused (239 - 240). This analogy is very powerful for me. The idea of seeing through the lens of the camera with events and themes is possible. You can take panoramic photos including wide pictures and see how many pieces are gathered together. On the other hand, you can use the high magnification zoom lens to enlarge or reduce the individual elements of the picture.
I wrote about the theme of shooting babies and children from the perspective of those who served the rest of the baby - but I gave another opportunity to me last month - a digital camera waving my parents To become - it is a completely different scene. I saw a lot of Xavier 's "cute" shots in the first week but I actually took it that the first week of his life became like a documentary film. The focus of my lens eventually became "first". My first encounter with my mother, my first bath, the first scale (his weight is under 9 pounds), the first, the first manicure (he started long claws from the first day), I I met grandparents and others. I finally took a picture of him and all the visitors who came here (these are good gifts) arrived home and decided to leave a "cute" shot until he calmed down.
As a professional photographer, he chose a very good topic, spent a lot of time, and did some meaningful things. However, as a photographer, he seems to speak too much. How can I make some stories about Chinese photos? The photo itself is not that strong. If so, people need say this is very difficult for professional photographers. Of course, because of these stories, he got Chen. In Burtynsky's Chinese photo, it is a subtle existence of letters in the image that stand out. Pictures of other Burtynsky subjects rarely contain direct human performance. In contrast, his iconic explanation of the Chinese manufacturing industry represents a row of pink, blue, or yellow uniforms, facesless or expressionless workers. "Production # 6 A, # 6 B as described above" is an example.
Photographic articles try to cover topics with a series of related pictures. The essay of the photograph includes purely photographic works, subtitled photographs or small memos, and full-text essays with small photos or a large number of accompanying pictures. Photographic scatter texts may be of contiguous quality and may be intended to be viewed in a specific order or they may be ordered by one unviewed unordered photo or viewer's selection order May be included. Every photo article is a collection of pictures, but not all photo books are not necessarily photographic prose. Picture essays often include problems and attempts to capture the characteristics of places and events