Tokyo Story by Yasujiro Ozu

The story of Tokyo was supervised by Kojiro Ozu and was announced in Japan in 1953. This is about an elderly couple visiting Tokyo to visit children. They are warmly welcomed, but they are seen as having annoyances in their busy lives. Mothers were sick, and they died soon after they returned home. And I let my family contemplate her visit. Some of the eye-catching scenes include the future of grandmother who dreams of walking with their grandchildren, the elder couple visiting the spa, and the three old people who discuss the failure of future generations.

In 1936, Sion's of Zion. Director Kenji Mizuchiguchi. Two sisters of Yamada Isuzu and Umemura Yoko starred and they have different opinions about their occupations. The story of floating weeds, 1934. Directed by Kojiro Ozu. The leading actors Takeshi Sakamoto, Nagako Iida, and Hideo Mitsui are starring actors trying to reconnect with their sons and older flames. The last story of the chrysanthemum, 1939. Director Kenji Mizuchiguchi. With starring Shuutaro Hanayanagi and Maki Mori, the man became a great actor with the help of his common law wife. Director Kojiro Ozu in 1931 Tokyo Choir. Yuko Emiko, a man from Tatsuo Saito, a man starring Tokihiko Okada, was dismissed, found a job and tried to meet her family again. Tokyo story, 1953. Director Ozu Daijiro. By starring Chish Ryu, Higashiyama Chieko, Hara Setsuko, Sugimura Haruko, the couple noticed that the children were too busy when visiting Tokyo. Tokyo Twilight in 1957. Directed by Kojiro Ozu. Fuzuki, 1953

Tokyo Twilight Saga (dusk of Tokyo) is in the dark, like smoke bars, mahjong halls, backyards, broken houses. For families in the process of transformation, this is a very dark Ozu story, just like all of his late movies, this is two uninterruptedly carefully placed shots. In addition to these, these characters are contained in the lower half of Ozu's broad halftone, and the normal sections of gardens and tree-lined streets are replaced by urban mysterious alleys and neon signs.

Perhaps the most painful moment of beauty may be the story of Kojiro Ozu, the most beautiful movie ever in history. There is a very sad smile on her face, "Yes." In other words, we have this highest or highest moral value. Too many human limits are closely related. In the face of our deep commitment to advanced principlified authenticity, maximum or ideal rational normative criteria, we must understand how we can achieve our own unique limits and our own pure, You can reach an agreement with a crooked personality The last hardest element of existing Kant Ethics. But by previewing, I can say that. Get another hint from Ozu

Reasonable Human Condition 4, Kant Ethics and Human Presence: Study of Moral Philosophy - Section 1.5, Why, in the depths of your heart, you are an Existential Cant Ethologist