To Fear, Or Not To Fear: How Yeats and Hardy Envision God

Thomas Hardy's "Tween's Fusion" and W. B. Yeats's "Second Coming", intervention time varies widely, but God's behavior is very common. Although these two poems were published within five years (1914 and 1919 respectively), we have a completely different perspective on our behavior as a human being and God's behavior. These poems were written in less than 10 years, but were separated by major events that changed the world, the First World War.

The Victorian era continued until the beginning of the 20th century, and the two characters became the leading representatives of old age poetry and became a bridge to a new era. These are Yeats and Thomas Hardy. Although not a modernist, Yeats learned a lot from the movements of the new poetry that appeared around him, and adapted his sentences to the new environment. As for technology, Hardy has been a more traditional person since at least the 1950s and has become a reference point for various anti-modernist reactions.

Yeats' early poetry is decorated with brilliant words and a rich image It is characterized by a terrible tunnel vision, focusing only on his own emotional life and Irish myth. These early poems tend to surround the theme, as opposed to the fairy land where Yeats is trying to escape, which is a pretty singing rice which usually has a high degree of structure and harsh reality. In the early stages of his career, the reality and the theme of Wonderland were only one of the common themes Ye Zhizhi opposed in his career. These opposites are part of his belief system, as explained in "Vision" which shows that "very simplified" is all circular. Using Giere as a symbol of natural circulation habits (such as growth and collapse, wax pattern and weakening pattern etc), the basic theory of Yeats is that everything requires complete opposition, Another like a pendulum

From 'stolen children', Yeats is anxious for a romantic escape as Yeats fears the hard work and the hard work of reality. This child symbolizes the innocence that Yeats can not find in adult reality. On line 8, Yeats wrote as follows. The first line is the twelfth and thirteenth lines, repeated in the whole poetry, but Yeats expresses reality as "a world filled with crying than you can understand".