To escape unjust imprisonment, you have become Scheherazade of the detention hall. You have written a flash fiction story and posted it for peer...

In order to avoid unjust imprisonment, you became Scheherazade at the camp. You wrote a story of a flash novel, posted it on a peer review, and posted it on the "Discussion: Share and Share" link. Now, carefully you have to rewrite your story according to these guidelines and questions in order to concentrate on your correction work, considering the feedback you receive:

Delete content that is not important for creating characters, advancing drawing, or setting up surprise endings.

Do you use this image each time it is displayed? Can you use it elsewhere or can you use it in a better way?

In order to avoid unjust imprisonment, you became Scheherazade at the camp. You wrote the story of the flash novel and posted it to the peer review discussion. Now you carefully consider your feedback and you have to redesign your story according to these guidelines and questions to focus on your correction work: the length of my story is enough Is it short? What else can I remove? The intentional language is to delete all things that are not important for the creation of letters, to advance the plot forward, to finish removing extra lengths and repetitions. Are your phrases and images unexpected, memorable, clever? Â Does (Deletecliché) use active verbs? Is the last sentence your strongest? Does the audience get it? (If not, please find a way to clarify it.)

(Solution) In order to escape unjust imprisonment, you became Scheherazade at the camp. You wrote a story about a flash novel and posted it to your colleagues.

In order to avoid unjust imprisonment, you became Scheherazade at the camp. You wrote a story of a flash novel, posted it on a peer review, and posted it on the "Discussion: Share and Share" link. Now, carefully you have to rewrite your story according to these guidelines and questions in order to concentrate on your correction work, considering the feedback you receive:

In order to avoid unjust imprisonment, you became Scheherazade at the camp. You wrote a story about a flash novel and posted it to your colleagues.

For a story of 100 words, I would like to write a deep scratch, painful or shocking realization. This is the complete meaning of the flash novel: a glimpse of another room before the door closes soon. What do you see at that time? On the other hand, how can you completely change your mood and see something about that image? Then I picked up my text collection, stretched it and twisted them into place. The number of words is 100, each word is important. Everyone has their own weight. Prepositions, "definite articles", participle, and ancestor are each carefully placed to form a complete image.

In this short-term attention era, thunder novels are getting more and more popular. In literary journals that previously only considered short stories of at least 3,000 words, this time it is necessary to make the novel short enough to be regarded as a "flashing novel". In some cases, a journal - and a journal that is not normally considered a literary market - is seeking "to mutter" "microfiction". (National Geography!) If this is not ambiguous enough for you, the number of words in the flash novel is even more blurred. Some magazines define flash novels as less than 2,000 words and less than 1,000 other words. Or 1,800 or 700. In a nutshell (flash) novel is any length what the editor says. As size is important, the cost of flashing a novel will be lower than a short story.