Titian’s Venus with a Mirror

There were a variety of artists in the Renaissance, thought they were a pioneer of contemporary paintings and contemporary art. Among the great people like Leonardo and Picasso, a person named Titian Beguio is also known as Titian. Before going to the National Gallery in the District of Columbia, I have never heard about Titian, but I think his work is directly related to his work. Therefore, I decided to write down his picture Venus in the mirror. A gold star with a mirror was drawn in 1555. Digital images are not fair, but this is a pretty big picture (49 x 41 9/16 inch).

Titian, VENUS OF URBINO appears in the form of wonderful works such as Bellini and Giorgio. Giorgione's Sleeping Venus (Figure 2) is very common in Titian's paintings. Even if this Venus is not a "real" person, Titian will show things as authentic, painting in a famous classical way. This is the exact opposite of Picasso's LES DEMOISELLES D'AVIGNON. Even his best friend, George Braque (who develops the ideas of Picasso and Cubist), was surprised by this work, "He can give all the favorite explanations," he said. You seem to let us eat cotton and wash it with kerosene (Preble 413). For many years, Picasso only showed pictures to other artists. At that time Titian was accepted by all societies. He

"Venus's toilet" is a copy of the original Titian and is now lost. This information source is influenced by two important details: the pearl bracelet and the ring on the Vernier left pinky finger, both appear in Titian's picture. This picture shows that Venus is watching himself in the mirror of C ** id. C ** id is drawn as a child, but his muscles appear to be overly proportional. Venus is drawn as a visionary, a trademark of Rembrandt. Muscle quality and curly hair are typical Baroque styles. Also, you can see the typical dramatic effect of this era with two characters. Even though they are stationary, it is a dynamic painting. Using light is very effective to enable us to concentrate on Venus; however, her clothes are beautifully drawn and convincingly feel the texture of various luxurious materials I express it. From the lower left corner, Venus' knees can see diagonals moving towards the head of C ** id.