Tim O’ Brien’s How to Tell a True War Story

In many cases, readers lose interest in the stories they believe are not true. In addition, fictional novels and stories are targeted at children, and the reader believes that the depth is insufficient. "The problem of a failed story is usually simple, it is boring as a result of an imaginative failure, vividly imagining an exceptional human event vividly, or expressing vividly, or a series of events, a fiery novelist Fighting, daily, endless labor "(Tim O'Brien 623).

A story that has never happened may include more truth than a real event. Tim O'Brien introduces stories about continuous memories, individual events, observations, insights, and realism attempts in 'what you've brought.' These stories occurred during the Vietnam War, a collection of war stories he remembered when O'Brien entered the war. This novel is based on O'Brien's detailed emotional story. These stories are told by a variety of soldiers, which conveys the view that the story of actual war has little to do with what actually happened, but it is a basic discussion related to all meanings. When he tells the story, he is not bound by chronology, objectivity, even "truth". Therefore, the reader often wants to know what the real story is.

In 1987, Tim O'Brien announced a wonderful and powerful short story to "Mr. Fashion", "How to view the story of real war". In "How to talk about real warfare" O'Brien mixes innovative techniques for discussing memoirs, literary critiques, and ways to convey the grotesque atmosphere of the Vietnam War. In the early days of the story, O'Brien 's talker stated that the true war stories are by no means moral. It neither teaches nor encourages virtues nor does it suggest an appropriate model of human behavior nor does it restrict what people do the usual things. If the story looks ethical, do not believe it. . . . You can tell the true story of war through absolute and uncompromising loyalty to obscenity and evil.