Three is Better Than One: An Analysis of Fernando Pessoa and His Heteronyms

The writer FernandoAntónioNogueiraPessoa has a very dynamic way to write poetry for its myriad of individuality. As everyone knows, Pesoa looks at poetry as a different persona. Pessoa has 72 synonyms, "People with my history, biographies, personal characteristics, and unmistakable literary style" (5). His other well-known self are Alberto Caeiro, Ricardo Reis and Alvaro de Campos.

Let's think about Portuguese poet Fernando Pessoa who released 75 different characters. He calls these characters heterosexual, and everyone has their own history and voice. ÁlvarodeCampos is a variant, the engineer sailed towards the colony and fully accepted the movement of the futurist. Ricardos is another thing, a doctor who undergoes classical education and supports the monarchy. It is not clear what the exact relationship between Pessoa and his synonym is, but it is certain that he does not regard them as images of simple imagination like the letters in a book. Indeed, he said that he "divides all humanity between all writers" and that his identity to Fernando Pessoa is "not so realistic, not so substantial, not too personal" He insists. identity

RPS: In my list, we first provide Fernando Pessoa's "Book of Restlessness", but the first 300 pages are "The Fact of Autactiography of Facts". Through many of his self-writing - his synonyms - Pesoa's books such as their name, date of birth, personality, physique, etc, have never been completed and are not completed, but a piece of experience, thought, memories, Dream, imaginary, personal, and personal truth in his life that exists in hypersensitivity. I also include "Art · rubber" by Carole · Maso. This overturns the speculative recollection expectations by writing the fictional invention's form, memory (fake or true), and style innovation. Reading as a novel, she broke the shape with truth, pain, and her explanation of the memories of the death of a friend of AIDS.