Frédérique Jameson said that the third world literature of the international world of literature is different from the literature of the 1st world, the 3rd world short story of the national allegory of 1986, the 3rd world literature of the international capitalism era, He argues that he must be a fable. . "Third world sentences" Jameson said, "Even people who seem to focus on private and proper power are bound by projecting political aspects in the form of national allegories. The stories of the stories in all directions The situation of public culture and society in the Third World.
Fables, myths, symbols are another element of short stories, poetry, drama. "The story is two parallel meanings, one is symbolic, the other is a literal story." Writers of short stories, poetry, and drama often give deeper meaning in the sentences using fables and are available . Teaching the course to readers and viewers. Myth is "an anonymous story reflecting the religious and social values of the times often including God and Heroes Greeks often use myths in their stories and plays and they often write their gods and heroes Myths are often used in poetry There are things in the drama that use the irony of the universe where the deity god makes an event Symbols repent, express or suggest something else through relationships and associations It is used in sentences to do it.The story that symbolizes menstruation and death and the symbol used for poetry
Our world is full of fable. We fill it with stories, movies, songs and paintings - we use tokens everywhere. A fable is a written, written or visual expression using symbolic characters, things, behaviors to convey the truth and generalization about human behavior and experience. That word goes back to the Greek allēgorein, "metaphor". The fable was earlier than in the Middle Ages (the fable of the Platto cave was an example of the earlier form, Cicero and Augustine used fables), the allegory is particularly popular in medieval stories like Roman roses It was. ) This way of dreaming is an example of an anthropomorphic fable, where a fictitious character - in this case, a lover - transparently represents a concept or type.