Greek gods described by Hesiod in his Theogony are their ideal bodies representing the phenomena, emotions, motivations and concepts of science and nature, not human intangible forces unknown. When they interact with each other or with humans, they tend to explain every concept they represent. They behave like humans: jealousy and cheating, love and care. They fight against each other, compete for power and form alliances with each other, but they are not always limited to the same limitations of human development, education and death at all times.
Greek gods differ from humans in many ways. "However, Hera is quite angry and quarrels with her partner, because of this confrontation she has not been associated with Zeus, he has a glorious son, Hephaestus" (ll. 929a -929 t) Even if Gods interact with each other, they will not follow incest rules or follow gender and hatching restrictions. Like Aphrodite, gods are sometimes even older than children: "White bubbles are scattered around [Ouranos' cut testicles], girls grow among them" (1176-206)
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Many of their actions and decisions can see deception and evil from the perspective of human morality, but they do not seem to be more than the symbol of most religions, there is no clear good or bad. The gray area depends on the back and the situation. This may be a neglected insight into human morality, which indicates that it is not the black and white concept we want.
Greek gods exaggerate to express themselves and there should be more rashes than normal humans. They can sometimes be models of morals, and from time to time they can even show that their morals are dominated by their emotions and desires. This is not much different from the struggle mankind faces in the field of morality. The philosophy of the time was more appropriate to provide moral and moral guidance to people than to religion.
Evelyn-White, Hugh G. "Hesiodotheogonie" Wikisource. October 21, 2006 Wikimedia March 22, 2007 <http://en.wikisource.org/wiki/Theogony
Theogony Hesiod of Hessod wrote in the context of a new urban state that tells him about the concept of Greek Pantheon. The generation of God that he painted starts with the elements of nature and steadily progresses towards a personified person fully representing the elements related to the city state. - Theeson of Hesiod has passed generations, told the public audience the traditional story of Greek gods and the view of the world of ancient Greece. One of the particularly famous aspects of Theogony, the part that tells the story of Prometheus, is unique in that it has little inherent value; its value is that it enhances other stories and concepts .
On the other hand, Theogony of Heogod conveyed us the traditional story of Greek gods and the ancient world view of Greece. I think that the part of Prometheus is a particularly famous part of Theogony which conveys the story of Prometheus; it can strengthen other stories and concepts. The story of Prometheus shows two objectives in the Haogod's Theogonie. First of all, it solidifies the position as the king of Zeus' God and provides one of the first features of his personality.
Theology is all about "the birth of God", which is the meaning of the title. In this early period of creation, the gods were synonymous with the order of the universe and the universe. Theogony of Heogod is a massive integration of the Greek gods tradition, telling the origins of the universe and the gods that form the universe. In addition, the gods are very confused through Theogony. This poem represents the fight between the creation of God and the universe, the father and the child, and the man and the woman. Hesiod obviously backed his father - the ultimate winner of his son's struggle, the world of men, and prejudice from men to women. Hesiod distorted a part of the story to make Zeus and the power of men look nice and there are things that women's power focuses on the natural cycle of birth and death.