Theme expressed in Tape by Jose Rivera

"Tape" is a short ten-minute race from Jose Rivera. This is a game with 2 characters, 1 person and 1 assistant. It happened in a dark little room with no window and only one door. Inside the room there are a reel and reel tape recorder, a chair and a table with glasses and jugs. This drama is that a flight attendant brings it to a small room and people are listening to every lie that people say in their lives. Recording all the lies is now time for people to hear all these lies.

Background: Although I have not officially participated in the Surrealism movement, Libera adopted different juxtaposed historical figures (Hernan Cortes, Sor Juana, Porfirio Diaz), the central quartet is Kahlo, Young Rivera, Jose Guadalupe Posada And adopted La Catrina to the supermarket. A realistic approach, "Catrina" = loved by elegant, socially high women at the beginning of the 20th century and wearing European costumes (Posada's criticism of the Mexican elite), Ribera is two Mexican Among the British and yang symbols that connects great artists (Posada and Karo), there are things that symbolize their relationships; the left side emphasizes Mexican conquest and colonization, the central space is independent It shows sex / revolution, modern achievement occupies rights. During the colonial era, the road to the dream of the 19th century democracy on the left side of the balloon was the representative of the restored republic Benito Juarez, serving him. When trying to modernize it among the president, on the right side, the revolution gives way to freedom, the reality of the form

Rivera took part in an artist group of government-funded mural painting projects, including mural painter Jose Clemente Orozco and Mexican realist David Alfaro Siqiros. Rivera first entered this type and his "creation" on the wall of the National Prep School Auditorium in Mexico City drew a paradise owner in the Renaissance aura. Artists also joined the Mexican Communist Association in the first year of their return home. He also founded revolutionary allied technical workers, painters and sculptors. He focused on the revolutionary history of Mexico society and the country entitled "The Ballad of the Proletarian Revolution" that could not be completed until 1922, and began the production of a series of murals at the end of 1922. The completed work contains over 120 mural paintings over 5,200 square feet and is set up in the public education secretariat building in Mexico City.