Theatre of the Absurd

Absurd prose theater Absurd Theater was born from avant-garde experimental art in the 1920s and 1930s. It emphasizes the meaning of life and is the result of World War II. This is also a result of an outrageous drama, a very unusual form of innovation designed to surprise the audience. In the meaningless and atheistic world after World War II and World War II it was impossible to continue to use the traditional art form and standards that had stopped persuading any longer.

Ridiculous drama: This type usually includes metaphysical representation of question and question of existence. Absurd drama denies reason and accepts that inevitably falling into the abyss of human condition is unavoidable. But an absurd drama is not to discuss these issues, but to discuss them. This allows audiences to discuss and ask questions about the contents of the script themselves. The term "game" may be a general term, or more specifically a non-music game. The term "direct play" may be used in contrast to "music". "Music" refers to scripts based on songs sung by music, dance, and screenplay characters. Sometimes the term "playlet" is used for short plays.

Most playwrights are named "absurd theaters" and I hate and dislike such classification and classification of the play. According to Martin Esslin, terms like ridiculous dramas are only to aid understanding (and only if it helps to understand art works deeply). It is not a restricted category. He said dramas may contain elements that can best be understood based on such tags but said that other elements in the same play come from different practices and can be understood It was.