Theatre Of The Absurd Humour Often Relies On A Sense Of Hopelessness And Violence.

The absurd theater emphasizes the absurdity of the existence of human beings, gives the way to meaningless and illogical speech, forms a drama that breaks through logical development through repeated meaningless dialogue and confusion includes. Because there is no meaning or purpose for the universe without God, human existence, all communication will collapse. A ridiculous theater is sometimes defined as a "work hypothesis", the device is not a real move. Martin Esslin mentions absurd drama in his book "Theater of Absurd" abandoned a foolish controversy about human condition; it is merely based on a concrete stage image . .

The absurd theater consists of fear and tragic images; characters in desperate circumstances must do repeated or meaningless actions; cliche, dialogue between word games and nonsense, complete Or absurdly expanded plot. The word "abetal drama" was built by critic Martin Esslin. He made it the title of the first book on the subject first published in 1961. "Ridiculous" or "New Theater" movement was originally based on Paris. The theater is connected to a very small theater. There are many "absurd" drama conventions, such as misunderstanding between letters as words that lose the expanded function frequently appear. On the contrary, words are learning constant rhythm, almost music quality, no plot, minimal stage, bab learning, abstract setting, etc. to express human condition. "" (Worthen 1639)

Ridiculous drama: This type usually includes metaphysical representation of question and question of existence. Absurd drama denies reason and accepts that inevitably falling into the abyss of human condition is unavoidable. But an absurd drama is not to discuss these issues, but to discuss them. This allows audiences to discuss and ask questions about the contents of the script themselves. The term "game" may be a general term, or more specifically a non-music game. The term "direct play" may be used in contrast to "music". "Music" means a script based on songs sung by music, dance, and screenplay characters. Sometimes the term "playlet" is used for short plays.

Critic Martin Esslin produced the word in his article "Theater of the Bad" in 1960. Just as Albert used this phrase in his article "Myth of Sisyphus" in 1942, he tells these plays based on the broad theme of absurd themes. The absurd form of these plays is a human being as a beggar dominated or intimidated by human reactions to the world which is clearly meaningless, and / or invisible external forces. This term applies to a wide range of plays, but a wide range of comedies, mixed with horror and tragic images much like cabarets, people in desperate circumstances need to be repeated or meaningless. Behavior, cliches, dialogue of word play and nonsense, whether it is imitation or disapproval of modernism, and concept of "crafted drama"