Theatre of the Absurd and Samuel Beckett

World War II emphasized "Absurdist" and "Existential philosopher". They all disappointed and began to realize the emptiness of the human world. As a retribution to the criticism of Ionesco, Sartre criticized his view that he put his book on "Rhinoceros". According to Rossette C. Lamonte, "Sutter's criticism highlights the main difference between absurd drama and existentialism, an absurd theater shows human failure without encouraging solutions."

These trends continued until the 20th century Realism of Stanislavsky and Restoranberg, Erwinpi Skater and Bertholbrech's Political Theater, so-called Samuel Beckett and Eugene Aeonesco drama, USA and British musicals, collective creation actors . And a director company such as Joan · Littlewood's play studio, Robert Wilson and experimental post-modern drama by Robert Ruppage, August Wilson or Thomson Highway's post colonial theater, and August Baal's depression theater

Samuel Beckett's "Waiting for Goddo" is a drama in the mid-20th century and belongs to the genre of "Avertar drama" that focused on meaninglessness of human condition. Absurd thinking is to wait for Godot 's theme embodied in his hero. Together with Vladimir (Diddy), Gogo represents universal people facing the world. Becket uses each character to indicate the limits and absurdities of various aspects of human existence. At the metaphysical level, Vladimir and Estragon exemplify the intrinsic dichotomy of humans in the body and mind, and illustrate the limits and meaninglessness of these parts of human nature.

The themes of existentialists were exhibited especially in the absurd drama "Waiting for Goddo" by Samuel Beckett. Transfer yourself. They insisted that Godot is an acquaintance, but in reality he knew little of him, and admitted that he would not admit him if I saw him. Samuel Beckett once asked who Godault is or what he is saying and answered, "I will say this in theater." Let's play games, exercise, exchange hats, think about suicide. The play uses "several prototype forms and situations, all of which apply to comedy and tragedy." This can only be reconciled in absurd thinking and art.