The Work of Art in the Age of Mechanical Reproduction

A work of mechanical reproduction written by Walter Benjamin (1935, Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit) is a cultural critique thesis proposing that aura of a work of art is mechanically reproduced and devalued. The theme and theme of this article had a great influence on art history, architectural theory, cultural research, and media theory. During the German Nazi regime (1933 - 45), Benjamin wrote an essay on popular culture, creating an artistic theory that "helped form a revolutionary requirement for artistic politics"; mechanical The era of reproduction The lack of tradition and ritual value, the creation of art is essentially based on political practice.

"The name of Benjamemes derives from German artistic theorist Walter Benjamin In 1936 Benjamin's article" Artwork of the Mechanical Reproduction Age "he recalled the newly discovered art of the time and its usefulness I mentioned the gender in detail. Value Believe that he has a halo that allows artistic originality to see distinctive experiences Copying reduces the value of creative aura. Mold for love. "Initially, I was very enthusiastic about drawing IKEA monkey, his isolation, his expression, and most importantly his jacket - all of which were really appealing to me. In the past it was a treasure trove of ingredients and a new Prancercises came. "