He quietly saw the sheep, doing them about every day, what they did everyday, and doing it all day. He slowly saw them through the lush meadow, eaten the grass in an orderly fashion, and lied down when it was too hot. "It is not that expensive to observe the intelligence of sheep, it is boring and boring to observe the sheep every day, even bad and biting horse fly, hampering the sheep and his daily boring daily life can not.
When literature was born, not the day the boy made the wolf cry, the wolf ran through the valley of the Neanderthal people and the gray wolves followed it. The wolf, poor poor man often tells a lie, so it was finally eaten by a real beast, but this is a very coincidence. But this is important. There is a glitter intermediary between the wolf in tall grass and the wolf in a tall storyline. Junior high school, prism is the art of literature.
In the movie, Tevier and Lazar Wolfe talked about Wolf's marriage with Zwitter at Wolf's house, and in the stage version, they met in a pub. This movie shows that there are lots of golden relics in the wolf's house. Before the Lazar Wolf entered the site, Tevye spoke to the maid and told him not to touch anything. Fiddler's scholar Jan Lisa Huttner faithfully adopted the original stage version, but he noticed some differences between the stage and the screen. She believes that film culture produces different characters in different ways and offers different versions of Anatvka, due to changes in American culture and politics, and the development of Israel. For example, in the production of Broadway, Bea Arthur is a tall and prosperous Yente, and this movie depicts Yente as a small and cowardly person. Hettner also pointed out that the original work of Broadway "Chagall Palette" was replaced by a more realistic and more realistic portrayal of the village of Anatfka.