The War Experience in Italian Film

War experiences in Italian movies The war experience in the history of Italian films is a unique composite exhibition of historical respect and cultural devotion. In the evaluation of one or more works in the Italian cultural semantics system after World War II, we can see an analysis of all this emerging experience. From this method, the nature of the analysis result represents understanding of the corpus above.

Italian movies started in the early 20th century. These movies depict different historical facts and names. The Golden Age of Italian movies was from 1909 to 1916. After World War I, the sound was introduced to the Italian cinema, but it was not that fun. Fascism continued from 1930 to 1943, the latter replaced the neo-realism movement. After that, pink neolitism and Italian comedy began. After the Second World War, the voice was introduced to the Italian cinema, but it is still an economic crisis, this is a boring work era. Telefoni Bianchi, one of the types that was being developed at the time, was a genre that explains rich society and moral issues. This type introduces many stars that became famous later, such as Vittorrio De Sica and Alida Valli.

After the war, Italian movies were widely recognized and exported until the art declined in the 1980s. Famous Italian film directors during this period include Vittorio de Sica, Federico Fellini, Sergio Leone, Pier Paolo Pasolini, Lucino Visconti, Michelangelo Antonioni, Roberto Rossellini. It is one. This movie includes treasures of world movies such as bicycle thief, La dolce vita, 81/2, The Good, Bad, Ugly, and Once Upon a Time in West. From the mid 1940s to the early 1950s, it was the heyday of the movie of neo-realism, reflecting the bad situation of Italy after the war.

Federico Fellini (born January 20, 1920, Rimini in Italy, died in Rome on October 31, 1993), one of the most famous and distinctive movie system filmmakers after World War II. Under the early influence of the neolarist movement, he developed his own unique way of superimposing dreamy or fantastic images under normal circumstances. He greatly increased the vocabulary of the movie and created an indispensable personal film production style.