The Wachowski Brothers' The Matrix

Matrix is ​​a movie supervised by Wakowski brothers, depicting the future of machine control. These machines create complicated computer programs called "matrices" imitating a realistic form. These machines enslave humans by attaching them to the board so that they can be harvested as an energy source. Many people were able to escape from the matrix, they still want to release all the people trapped in the matrix and continue to fight with the machine.

Brother Wakowski's "Matrix" presents a fantasy world, and it seems nothing. A computer - created world executed by artificial intelligence. It depends strongly on Plato's theory to show that it can only be understood from an objective point of view when seen from the outside, and can be overcome only when this imitation world is understood. The works of art of the modern world are allegorical. The story can explain another point as an important feature. This standard allows artists / directors to tell stories while artists / directors post their thoughts on the story, with the depth of the work transcending aesthetics, providing as much reading and interpretation as possible to the art. SF epic "Matrix" is a classic example of this post-modern character. The structure and content of the matrix contains several fables. An obvious and relevant allegory of Plato caves

Themes and ideas are displayed in text. While the context tests the concept of context, text is a parable of the existence of human beings. Through the mutual form of their science fiction type, you can see two texts, the Wachowski brothers' movie The Matrix (1999) and the Orson Scott Card novel Ender game (1985). With these two texts, the responder can newly understand the value of the context time making up the text. Using deamination is an important concept

In 2008, the Wachowski brothers stand out from the matrix. Their very successful movies are often admired with their creative new stories and wonderful CGI. However, despite this, I think that the creation of the most underestimated filming by all Brothers of Brotherhood by Wakovsky brothers is worth more praise: Speed ​​Racer. Movie demographics are obvious, because the beginning scenes began with their comic relief characters, their brothers and chimpanzees with their humor. It sounds awful, but I think this is a star choice for executives, but we will talk about this later. The movie begins with a hero's Speed ​​Racer (Emile Hirsch), an attractive display of the emotions and motivations of each character in the transition from character to character, and a deeper understanding of the history of speed and the love for the race. Movie transitions complete the closeness of each person's face and wipe the screen