The Voice of Reason in Tartuffe by Jean-Baptiste Poquelin Moliere

Jean-Baptiste Poquelin Moliere wrote Tartuffe at the beginning of Age of Enlightenment. A big feature of Age of Enlightenment was promotion of rationality, not emotion to make a decision. The enlightenment leaders truly believe that if people do this, the world will be better. In Tartuf, when a character makes a decision using his emotions, they feel that they are in a bad state. There are other characters in the play that try to approach them with reason and logic when people who control their emotions find that their life is uncontrollable.

Moliere's Tartuffe: rationality and passion Jean-Baptitste Poquelin Moliere's Tartuffe is undoubtedly a satirical comedy. In ironic description of Molly, he is very direct about the function and goal of a person. This function is to modify the bad habits of men, to be ironic and to expose them to the public laugh (Molière, p. 14). This irony is ridiculous for many of the churches and organized religions, but this is not the sole objective of Molière. Tartuf has plenty.

In this article I will explain the work and attitudes of four writers, Jean-Baptiste Poquelin Moliere, Jean Racine, Johnathan Swift, and Alexander Pope. Topics to be discussed are Morieres' Tartuff, Racine 's Phetdra, Swift' s Gulliver 's journey, and an essay on the Pope' s people. Molière and Racine's work argues that reason can solve all our problems and maintain the order of our lives and world institutions. But Swift and the Pope have not been so decided. Their work contains a paragraph that represents a serious doubt that the reasons can solve many of the problems that people in today's world might encounter.

In the neoclassical comedy Tartuffe written by Tartuffe Jean-Baptiste Polquelin Moliere by Jean-Baptiste Polquelin Moliere, Tartuffe is described as a character suffering from fame fulfilling religious asceticism. As the owner of the house, Olgon is convinced that Tartuf is a modest and devout man despite his family still insisting on them. But in the seventh curtain of the fourth act, the con artist Tartuff finally revealed his true fraud. - Tartuffe, Phaedra, Figaro In fraud literature at marriage, fraud may exist as a sub-theme, moving a character, providing comedy, playing a role in plot progression. So far, the research considered in our research provides the main examples of using spoofing in the above methods. This article will focus on Molière's Tartuff fraud, La Tin's Fadra, Boma's "Figaro's marriage."