The Visual and Multimodal Representation of Time in Film, or How Time is Metaphorically Shaped in Space

In conceptual metaphor theory, people noticed our inference about time is usually expressed from the perspective of space. In order to verify this assertion, research relies almost entirely on linguistic metaphors such as "the future is more advanced than us" and "time is really fast". But if conceptual metaphor time is the space that dominates our thinking about time, as these scholars argue, it can be assumed that the concept metaphor expresses itself through nonverbal discourse It is possible. However, research on nonverbal and multimodal performances at the time is a spatial metaphor and is extremely rare. This article is intended to solve this problem. Using visual and multimodal examples from various movies, we demonstrate that the use of space time metaphors is evident not only in languages ​​but also in nonverbal communication models.

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MaartenCoëgnarts is M.A. and M.A. of Film Research and Visual Culture (Antwerp University) and Sociology (Antwerp University). His research focuses on the metaphor of the film and its visual meaning. He is also particularly interested in the analysis of movies and the relationship between movies and philosophy.

Peter Kravanja is a master's degree in mathematics and computer science and a master's degree in Ph.D. (Katholieke Universiteit Leuven) and film studies (D. E. A. Recherchescinématographiques etaudévisuelles, Université dea Sorbonne Nouvelle-Paris 3). Of particular interest to him are the art of analytical philosophy applied to movies, the metaphor of films, questions about analysis, interpretation and format, and the relationship between movies and other art.

What is a visual metaphor? Please give examples of each film we saw and explain the meaning of each movie. (A visual metaphor is a visual comparison by direct comparison.In the movie 'Chocolat', the wind is a visual metaphor, all things in the village except for the red coat are gray, explaining the depth The metaphor is that everyone is wearing white in the beginning, and the mask is a disguised vision explain the visual metaphor of the blade runner.

In conceptual metaphor theory, people noticed our inference about time is usually expressed from the perspective of space. In order to verify this assertion, research relies almost entirely on linguistic metaphors such as "the future is more advanced than us" and "time is really fast". But if conceptual metaphor time is the space that dominates our thinking about time, as these scholars argue, it can be assumed that the concept metaphor expresses itself through nonverbal discourse It is possible. However, research on nonverbal and multimodal performances at the time is a spatial metaphor and is extremely rare. This article is intended to solve this problem. Using visual and multimodal examples from various movies, we demonstrate that the use of space time metaphors is evident not only in languages ​​but also in nonverbal communication models.

A visual and multimodal representation of the time in a movie, or how time forms a metaphor in space

Space has more than three dimensions. Our spatial sensation is created by motion. In other words, it is created by time. But the most important thing in the universe is diverse experiences of vision, tactile, hearing, smell, and taste. When we feel pain and pleasure in our body, there is an essential dimension. However, in the "outside" space that we perceive through visual, tactile, sound (resonance, echo, etc.) and smell (concentrated in the nearby or distant and thin) There is none. "Objective" visual space built by classical geometry, topology, and traditional geography stimulated the myriad metaphor trying to understand what bypasses the network of visual cognition. However, all these different modes of anxiety lack important spatial dimensions. The space we live in is emotional or "emotional". Space is really subjective