The Virtues in Sinning: Analysis of Peter Shaffer's Amadeus

Why am I here? What does this mean? What is my destiny? These insights not only elucidate the truth about themselves but also elucidate our views on God. Even if time passes, these problems still exist. We have to answer not only the language but also our way of life. Even if you deny the existence of God, it is no doubt that God plays a universal role in our people to play the role we play in destruction.

Drama Peter Schafer (Amaterus) 's drama Peter Schafer (Peter Schaefer) is not intended to become a great biographical composer Wolfgang Amadeus Mozart (Wolfgang Amadeus Mozart) biography, written not only by it Peter Shaffer explains it as a story, not history. In his story, he can insert a novel, make the play more interesting to the audience, and can fulfill the purpose. But musicologists and historians have written several articles that claim that Peter Shaffer destroyed this immortality. No one can see it is that several things are considered reasonable in Amadeus and others are "imaginary decorations". In this article I will try to point out whether it is fictitious or false

Peter Shaffer announced this troublesome problem version in script and script "Amadeus". Can bad people make great art? In the case of Schafer, the answer is definitely Jesus, Mozart's rival Salielli's regret, he thinks he is a good person, but they know a second-rate composition. This made him desperate. Or Shafer suggested something wrong

Mozart's 'shameless' artistic genius and Antonio Salieri The mediocre opposition to the ordinary up drama theater Peter Shaffer's "Amadeus" summed up Mozart's jealousy as he played a role in the success of the murder. Play is not only for Mozart's depth explorer, but for an effective composition. Director brought to the stage Kent Thompson Mozart's humanity, and exact Shafer shows the author of the script. The audience with these very special roles in element play of the passion fault of fear and joy at the actual opponent

Trivia: Milos Foreman and Peter Schaefer created scripts using formatted scripts for four months. The role of Wolfgang Amadeus Mozart, Salieri's monologue, which visibly acquires image change, they added a priest, maid, archbishop and her mother and other letters beyond the concept of Antonio Salieri