The Use of the Body in Artaud's Theatre

The purpose of this paper is to explore the use of the body by Antonin Alto as "a place for transformation, release and independence of all human beings" (Barber, p. 72). The tremendous impact of Aalto on the practice of drama continues to attract attention and controversy. To end rational drama, his anti-traditional works promote the critical thinking boundary through constant construction and destruction. Antonin Artaud: In the Visionary, Bettina Knapp explained the popularity of Artaud long before his death. "In his time he was a man who was divided among himself and alienated from his society.The thing he can not control is the victim of domestic and foreign power.

Cruel Theater is a kind of drama devised by famous theatrical expert Antonin Artaud. Cruel Theater, according to the dictionary, "A kind of theater advocated by Antonio Artaud, aims to convey pain, pain, and evil to the audience through gestures, movements and sounds, symbolism rather than words." Further refinement The cruel drama is one of various forms of drama that combines the use of surrealism, juxtaposition, and many symbolisms, not the usual form of drama where words and stories are so-called norms and stories is. Drama Framework As you might have predicted through this form of drama, cruel drama is often seen as a way to draw a drama of some kind of evil type, either very dark. So it was named a brutal theater

The concept of "cruel theater" expressed by Antonin Artaud in "The Theater and Its Double" (1938) is a clear driving force for an absurd drama. Aalto promoted the use of "cruel" which means violence, physical determination, and breaking down the false appearance of personal belongings. Edward Arby is a fear of Virginia Woolf? That is an example of Americanization of an absurd drama. Relationship with Existentialism Existentialism is a very popular philosophy in the clubs of Paris in the 1930s and 1950s, which stimulated the rise of absurd theaters.