The Use of Stanislavski's Ideas to Guide Actors During the Rehearsal Process

The idea to guide the idea of ​​actor Stanislavsky on relaxation, concentration, rhythm using stanislavsky during rehearsal is very detailed. He has a very unique but understandable view every three people, and these actors are still using and learning. Stanislavsky focuses mainly on concentration. Paying attention when playing a role is considered to be very important. Focusing on attention is a skill from practice and concentration. Then we will start with the rehearsal and continue to the final performance.

In the early 20th century, this performance technique was developed by Russian drama practitioner Stanislavsky. Stanislavsky is beyond body and vocal training, thinking that the actor has to go through its role further. To this, adapt the character emotionally in every aspect of life, potentially allowing the character's behavior to be forbidden by the actor. The actor enters a physiological journey filled with a deep understanding of individuality and their motives. As the system matures, it is already understood in the "Physical Behavior" and is used in the rehearsal process to create aggressive analysis in dramatic situations where actors have to improvise

In the Stanislavski system, in a way also known as Stanislavski, it is related to the characters they draw, using the emotions and experiences of the actors themselves. The actor plays a role of finding a common way of thinking in order to describe the character more accurately. From 1930 to 1935, Michael Chekhov worked at the Kaunas Drama Theater in Lithuania. From 1936 to 1939, Chekhov established the Chekhov Theater in Dartington Hall in Devon, England. After the outbreak of German development threat war of 1938, his school moved to the Connecticut of the USA, where he occupied the old boarding school and awarded the first diploma in 1939.

Michael Chekhov, student of Stanislavski, is the founder of this technology. In this process, the actor took a psychological-physical approach. Here, the actor uses techniques like deformation to work with impulsivity and imagination. Marline Monroe, Clint Eastwood, Patricia Neal, Anthony Hopkins is an actor employing Chekhov's technology.