The Use of Nonverbal Theatrical Techniques in Soyinka’s Plays

Wole Soyinka's play is Yoruba's ritual, dramatic technique, music and dance and a creative combination of foreign languages ​​and English. Ceremonies, ceremonies, gestures, music, dancing are some of the nonverbal skills Soyka uses to obtain dramatic effects. Language is full of wit and graphic insults. Words are not the only ones that rely on effective dramas and rely on many techniques. This is an attempt to discuss these techniques in some of Wole Soyinka's important plays.

Like Pirandello, many absurd people explore the realization of characters, the destiny of destiny, and drama using meta and theater technology. For example, in The Maids, two maids are pretending to be their mistresses; in the Balcony, brothels customers occupy a higher position in role-playing games, but the theater and reality boundaries Starts to blur. Another complicated example is that both Rosencrantz and Guildenstern are dead: this is a play about the two small characters of Hamlet; and these characters encounter various encounters with players who implement The Mousetrap I have. Content In the tragedy of Stoppard, James Joyce and Tristan Tezzara fell into a conspiracy of "seriously important".

William Shakespeare is known for his dark, romantic drama, and the world famous piece of Shakespeare is drama Hamlet. In this play there are various roles that contribute to drama conspiracy and condition. For example, Polonius, Osric, Gravedigger includes remedies for comedies for specific tones in the plot, but Claudius, Laertes, and Fortinbras provide dark evil deceptions within the plot. - Shakespeare's Hamlet Hamlet, Shakespeare will retaliate for all work. Vengeance plays an important role in the development of Fortinbras, Prince of Norway, Hamlet, the Prince of Denmark, and the son of Polonius Laertes. All three asked for revenge for their father's murder. In Hamlet, revenge can be interpreted as another character. Revenge overcomes those seeking it