The uncertain future of camera cinema is in one of the downtown streets of San Jose and is one of the few cultural landmarks worth saving. Camera cinema is the institution since 1975. They are an informal house in San Jose's small but popular independent film. Unfortunately, if they can not find a new home in the coming years, they may be closed down. In this article, we will explain the historic struggle the camera cinema must endure and what they have to do to survive in the next century.
Please watch a movie as an example. Many of the early movies were dramas taken with movies, fixed cameras, without editing. A real experimenter like the French magician George Méliès took a real film measurement method. When Méliès began using the camera - he already had a rich career in the drama - he just did not film the actor on stage. He quickly invented a new tool and started experimenting from creating a unique effect unique to the media. This is a lesson for those who design mobile AR (or any type of emerging media). I do not know yet whether it will work or not. Please do not push the old world to the new world. Familiarize yourself with the tool, experiment, try new things and find platform uniqueness
I worked at a camera company that used to make a crazy advanced motion picture camera. Since we are different from other cameras on the market, we have never told marketing inventors that we can not sell cameras. We opened a conference, brainstorming and figured out ways to sell it. This is a serious job. This is an uncertain job. I do not know what to sell. It is wonderful to see marketing dynamics in the music revolution can accept this uncertainty. The commercial aspect of the music industry is not that these managers and marketers are looking for interesting music, they are not trying to be foolish of the same old days, they are mediocrity.