The Two Fridas, 1939

The work of Frida Kahlo leads the art of Mexico to the international stage. Her style is image and self-taught with elements of fantasy, and highlights her own personal, biographical perspective. Her self-referencing art is now a media phenomenon that began with the development of her portrait, and since the early years it has become the most effective means of expressing her anxiety about exploring her own personality It was.

In 1938, Andre Breton called Surrealism of the work of Karo and announced "The Two Fridas" which was exhibited in "International Surrealism Exhibition" organized by Mexican art gallery in 1940. Karo is her work. I draw this work. She departed from Diego Rivera and returned to Mexico to live in Detroit, Michigan.

Paintings were directly obtained by artists from INBA (Mexican National Academy of Fine Arts) in 1947 and transferred to MAM (Museum of Modern Art) on December 28, 1966.

Currently there are two Frida Kahlos in two Frida 's "Frida Kahlo" in San Francisco' s Museum of Modern Art, there seem to be two Frida Kahlos, not the famous paintings of 1939. The tour began in commemoration of the 100th anniversary of the artist's birth of 2007. It displayed about 41 paintings, as well as photographs of generous women and famous people around them. On the other hand, there is a foresight artist, a wonderful beloved Frieda karo whose work is the subject of a powerful popular identity - a peer critic recently told the story of hippie worship. This godly worship is actually praying to Frida. Frida Kahlo is "a special woman who transforms her love and pain into art" in order to quote the slogan of the latest Salma Hayek's movie DVD documentary.

Frida Kahlo, a famous artist Diego Rivera 's wife, drew "The Twowedridas" during a painful divorce in 1939. This picture depicts a self-portrait that expresses rich expression, symbolizing twins of artists, but it is a very independent entity. However, not only are the two different Frida connected by their own hands but also connected by the line connecting the surroundings. Frida wearing white European costumes reflects the woman who does not like Diego anymore, so she cuts off the connection with a manual scissor. Her exposed heart was destroyed and hurt, indicating that she was suffering from her devastation in the case of her husband's cruel betrayal and marriage failure.