The Two Faced Salieri

"This time my insanity begins, one person can be divided into two madness." Even if Sarieli talks, this is our life. But we still do not know what's in it. You may not have noticed, but everyone in this world has two aspects. There are two aspects to the above citations as well. On the one hand he is a noble court composer and on the other hand he is very bad and confused. Does Sarieri control his two different aspects, or is he invading the other party believing one party?

Our story begins in 1825 on the eve of the death of the old Salijari. The rumor began to spread in Vienna, and Salieri made poison with his opponent Mozart 34 years ago. Nobody knows why Sarriel wants to kill Mozart, whether to believe it or not. Sarieli called the audience with "the last hour of my life." He started talking about 44 years ago. The young Sarieli lived a wonderful life as a court composer of the Austrian emperor. When he was young he promised God to live a beautiful life in exchange for success as a composer, but despite the strong desire for his precious soprano, Katherina Cavalieri, his precious student

In his 1830 short film "Mozart and Sarieli" Pushkin imagined the encounter between composer Antonio Salieri and his young friend Wolfgang Amadeus Mozart in Vienna, Austria. According to the current rumor at that time, Pushkin proposed Sarieli Mozart's genius, so he poisoned him at the meeting. After a new study showed that Mozart died of natural causes, it could be a streptococcal infection and Salieri's musical opinion changed as well. With this new information, Pushkin 's claim was reexamined and Salieri' s reputation in the music industry began to improve, as evidenced by recorded albums and his opera performances.

Pushkin's four "small tragedies" were written in 1830 and briefly deal with philosophical issues. The most noteworthy is a wonderful speeches introducing important themes of Russia, a metaphysically rebellious god, meditating the essence of creativity, based on Mozart and Sarieri 's legend of Mozart and Sarieri' s addiction. Since 1830, Pushkin began prose. He wrote the novels and non-fictional works - Kapitanskaya dochka (1836; The Captain's Daughter) and Istoriya Pugachovskogo bunta (1834; History of Pugachev) as if to represent the historical truth. What is needed is more than just a type. Povesti pokoynogo Ivana Petrovicha Belkina (1831; the story of the late Ivan Petrovich Belkin) filtered five narratives through the idea of ​​some narrators, collectors, or editors. Imitation