The term Malabar Cave Tour to India is defined as the state of contact between people, especially as an emotional connection. In Chapters 12 to 16 it can be judged that Aziz and his guests are not connected during the trip to the Malas cave. Especially when the servant of Aziz was preparing tea, and when he reacted unfortunately to the reaction of Mrs Moore. This is determined by "a strange place to make tea".
The image of a forestry officer across the mysterious Moore's wife in India, and what happened to her in an extraordinary Malaba cave has attracted critics for decades. This issue has been drawing attention, which is inconsistent with Mrs. M.'s secondary role in her trip to India. On the surface she plays a supporting role, but many unresolved questions in the novel seem to focus on her experience.
E. M Forsters The novel "A Pass of India" in 1924 features distinctive landscapes, including fists and fingers of Malabar Hill, and all ambiguous and special events. The cave itself is the core of Foster's novel's mysterious climax - the events of Adela and the mystery around it. Foster uses these caves to prove that traditional India is far beyond what you can not understand with external forces. And personal comments from critics
In January 1913, EM Forster visited India for the first time and visited a cave in Barabar. This is an experience he will never forget and in his fictitious cave "Marabar" he sends Mrs. Moore and his young fellow Adela to his masterpiece, the second part, the center of the cave and the most important person Part After he returned from India, he started writing Indian novels, but he gave up writing a novel about homosexuality, Morris, it was not published until his death. It was not until 1921 that he accepted the position of being a private secretary of Dewas Maharajah recently, returning to his "Indian" manuscript. However, the experience of writing novels has hardly been reached for him. He confidently acknowledges that he is "tired of the boredom and noisy of the novel", in particular "ignorance of the novelist's research".