The Therapeutic Theater

A method of knowledge, method of performance ": To deal with the drama life of the drama world through the various media to express the brainwashing effect to the audience: He consumes something that makes her up rather than creating himself . CG Jung of a psychiatrist wrote as follows. "Humans gradually move away from an instinctive foundation, that his betrayal and identity are causing a number of psychological barriers, and the root of difficulty, he is his own conscious knowledge and consciousness I sacrificed his unconsciousness with concern.

My sensitivity as a therapist / clinic is mainly due to my roots as a yoga educator. In the work as a Theater Therapist, I used rituals, myths, Tantra meditation, Kriya, Yoga cosmology as aspects of the healing theater group I advertised. All of these tools give customers customers deeper access to the field of imagination where they can start re-explaining their life. My training and career are eclectic. While keeping the tradition rooted in the strain of Krishnamacharya, I incorporated it as my teacher in my product. As a teacher, I have a rich and diverse philosophical system from yoga, my formal training in Western psychology, learning as a creative artist's life, and most importantly my own day-to-day practice Yes. My flexibility and experience has made it possible to become versatile so that I can effectively meet with students. I think yoga practice is a sustainable process that constantly reveals the truth in various forms.

Dancing is done in various forms, such as social, educational, political, and therapeutic reasons. In this article I will consider the philosophy of dance as Western theater and concert art, but I mention art that is practiced in the performance space and art for some viewers and spectators. In addition, this article will focus on the philosophy of dance developed as a subset of philosophical aesthetics, while considering philosophical issues such as "what is the essence of dance". And "How about performance, experience, and perception of dance?"

I think dancing is a difficult language. When drama-based people use movement, they are not called "drama dance". They may say "physical theater" or "experimental theater". Interestingly, these qualifications seem to happen when dance artists work outside the dance. I will talk more about the word performance - it is more open - and the idea of ​​getting something from making a work. Whether it is words or not, whether it is music or music, it is interrelated and comes from the same source of creative desire. I am very interested in the story, but I have little interest in conspiracy and stories. I am more interested in storytelling efforts, the effort to convey meaning, the sense of crossing something, not just to ride that sense, but to understand it more linearly.