The Tempest

Please let me say: I am a complete Bardolator. I am teaching Shakespeare, I am addicted to Shakespeare, I have read and watched all the plays, and when I saw Arashi's live performance, my love for buds in 1975 started. This is pure magic. I also like movies, and I think in the 21st century Shakespeare's dramatic version of the play may be the best way to reach the broadest audience. In addition to being calm and derogatory, I believe that if Will is alive today, he will write a screenplay (or even a TV series) instead of a stage play.

I am now puzzled by the lack of a movie version that truly captured the magical spirit of drama as a professor of literature who taught the decade of "Arashi". Professional professional books were wonderful except for those familiar with the theater. Although the version of Derek Jarman is very old, this is a good "movie" but it seems not as effective as "storm". In another "academic" version, production and performance are declining. And I do not even suffer from this episode 'adaptation', for example the storm of taboo or cassavet.

Until this version, the only excellent version of The Tempest is the animated version of HBO, but in 25 minutes the story of Shakespeare has not been completed.

Last week I was very pleased to meet Julie Taymor at The Tempest in London. This is absolutely wonderful. There is magic! In most cases, the performance is wonderful. The script contains enough real game languages ​​and these small adjustments make it easy for modern viewers to bother me. The visual effect is absolutely wonderful. The movie is pleasure from beginning to end. I can not wait to think again - again - taste all the special moments again and again. My only regret is that my release date is too late so my students can not see it this year.

[Revision Note: This year's students have a chance to see this version, they like it very much. It brought life to them. Finally, there is no need to convince them that Arashi is a really great game. December 1]

Revenge and forgiveness in Shakespearean plays In Shakespeare's plays there are many elements of storms that people can not reconcile with the real world. The theme of The Tempest is an illusion, the main focus is Prospero's experiment. Arashi, that is obvious, there are experiments with Prospero. He did not take the Europeans to the island, but when they approached it, he introduced them to his very special realm through the power of illusion. This experiment broke their social solidarity first as they landed in different groups: Ferdinand himself, the court team, Stefano and Trincho himself, seamen are still bitches

Shakespeare's storm and Sezer's storm capacity are defined as having control, authority, or influence over others. In William Shakespeare's Tempest and Aime Seychea's Tempest, power is an important element in the relationship between characters. When Cariban and Prospero competed for dominance on this island, Miranda grew from an innocent young man to a sexy and strong young woman, so he realized he had some degree of his own strength. Some people are seen as victims of Prospero's need for control, others have both content and charisma, but this change has influenced her growth and grew to adults . Miranda

William Shakespeare's mother, The Tempest, Miranda's mother and Sycorax did not actually appear in The Tempest, but their memory occupies an unstable position of Prospero's power. Prospero evokes Miranda's mother's memory and legalizes his pedigree, but I feel that she is threatened by the controls she imposes on her. His story subtlely erased his wife's presence from Miranda's memory and made him the sole donor of her daughter's imagination. - William Shakespeare, the character of the most influential literary work in history, was born in Stella in April 1564 (the exact date is about April 23, the date of his death in 52 years later) ). John and Mary Shakespeare from Tifford, England. He grew up in a relatively middle class environment, attended a grammar school, studied Latin, logic, literature and after marrying, he married a woman named Ann Hathaway.