Pierre Renoir's Swing Impressionist movement began with an exhibition by Claude Monet in Paris and other artists in 1874. Edgar Degas, Claude Monet, Pierre Renoir, Camille Pissarro etc. made the most important work from 1870 to 1910. Critics cited the worst comments on the exhibition. "Crints believes that Impressionist paintings are insulting for the audience, as they are clearly expected to accept unfinished art as 'real' paintings. The name "Monet's impression comes from Sunrise."
The most popular performer in the swing era - and most commonly seen - is clarinet player Benny Goodman (1909-1986), sometimes called "king of swing" Goodman is an excellent clarinet player in jazz is. And in classical style, he is a perfectionist for performers and band leaders. In pursuit of perfect music, Goodman broke the "color barrier" and formed the first nationally famous band combining European and American Americans and African American musicians. From some jazz historians, Goodman 's contribution to jazz music is not as great as his contribution to the promotion of music. Goodman's work is also an example of cultural possession. One of the keys to success is his decision to hire Fletcher Henderson as one of his major arrangers. Still, as Milt Hinton, a great African-American bassist pointed out, Goodman's desire to eliminate jazz color barriers is "bold and bold."
Goodman did not create a new word "swing". Actually, before the Goodman painted a picture, the word swing was used in jazz. For example, Duke Ellington produced a song called "meaningless" in 1932 (in the absence of such swing), the rhythm factor that contributed to the swing existed before Goodman. But Goodman fascinated a group of enthusiastic young audiences. 70 Gunther Schuler recognizes three factors related to the swing era that began in the 1970s. First of all, Symphony Jazz is a large arrangement. It involves arranging popular music and re - enacting some standards led by Bop Era. Secondly, the soloists of artists stand out from other musicians. I like Bix Beiderbecke, Paul Whiteman, Flecther Henderson, and of course Louis Armstrong. Finally, well-trained musicians grew exponentially during the Swing period.