The Suppression Of Women In Pygmalion

The UK of the 20th century was called the Victorian era, but in this age women are just human beings and there is something to do in society. In society, women are widely believed that women are interested only in children, houses, cooking, cleaning, and men are the leading characters. Writer, Bernard Shaw, "Female is self-sacrificial, pure, noble and passive" devoted to tearing the ideal repressive veil of a Victorian woman he saw "(2215).

George Bernard Shaw 's Pygmalion (staged in 1912, 1914) had the legend of Greek Pygmalion and the "maid of Koppedua and servants." The king lacked interest in women, but one day she fell in love with a young girl who taught her to become his queen. Xiao's comedy style is the foundation for Broadway's musical "My Fair Lady" (1956) and many other adaptations. Science fiction "Star Trek" has the theme of Pygmalion in "Star Trek" Inheritance ". And, Star Trek: the original series "Requiem is Ma · Toussala" (Ep 3 x 19), one of immortal humans, has made a potentially immortal robot as a companion of life. Characteristic of the data is a robot himself "carved" by people, he is enthusiastic about being more "humanized" and is the arc of repetition of the series.

As the title implies, Shaw's game is primarily due to myth-centered earlier resources. Pygmalion is a character in Ovid's 10th book The Metamorphosis. As a sculptor in Cyprus did not like working with women, male Pygmalion used ivory to make an ideal female image and fell in love with that statue. He took a gift like a loved one and prayed that the goddess Aphrodite would meet a woman like his statue. Instead, Aphrodite brought his statue. Pygmalion named her Galatea, married her and got a son named Paphos.