The Suffering of Native Americans in Native Son (1940) by Richard Wright

. He knows that committing suicide or one of the other people when he allows his life to enter his consciousness altogether. "(twenty five). Larger can not give hatred to his family. Always reminded them that they hurt him racial and social injustice of African-Americans and he knew that it would release "black murderers, black murderers" That is "they" (89).

Richard Wright and his novelist are the next groups that portray the fight of African Americans against social and political power. For example, Great Thomas (1940) in the son of the indigenous people of Richard Wright was the theme of "ordinary people" using deprivation of social, political and cultural African-Americans' rights. With the help of two white men, I had greater self-esteem and faced my troubles. Both are not collaborators, but have become folk heroes that were often created using Garveyism. Next generation writers showing Garvezum may be called pioneers of black art movements. An extension of James Baldwin's protest is the aggressive poet of the 1960s, like no one knows my name (1960) and the next time of the fire (1963), and Amiri Baraka (LeRoi Jones) Blame the devastating environment and depict despise the existence of this inhumanization

Richard Wright's 1940 novel "The Native Son" (New York: Harper, 1940) was influenced by the Scottsboro Boys incident. There is a parallel line between the scene of the indigenous court that Max calls "the mobs on the street outside the window" and the "mobs surrounding Scottsboro's prison by ropes and kerosene." After the first conviction of the Scotsboro boys (Maxwell 132) The Scotsboro boy was a phased musical depiction of the Scotsboro incident, premiered on off Broadway in February 2010 and released in 2010. This musical was held in the Young Vic Theater in London in 2013 and then moved to the Galic Theater in October.