With the power of Dilsey of "Brawl and Turmoil", "Competition and Turmoil", the fate of the Compson family is a depiction of southern Antiquity and New South, and these demons in the south are rising from the ruins. Through Compson, Faulkner soon remembered the sad self-mercy of a depraved ancestor, and in Jason, anger and resentment after falling. In the whole novel, Dilsey is quiet and strong in this irrevocable tragic family. One of the first signs of Dilsey's strength at Compson's home is that she can say time from a twisted clock hanging in the kitchen.
Dilson Gibson is a kind and long-standing family worker of Compson's family, the hero of non-Campson in 'sighs and anger'. Long-term academic explanation is that Dilsey represents ethics in the declining Compson world, and her actions define criteria for humanitarian behavior. It is a nilistic view that opposes this "religious" reading of the novel, where Dilsey 's Christianity is meaningless or irrelevant. Both methods tend to treat Dilsey as static regardless of whether it is noble or absurd. Although there are few comments on "end and fuss," it suggests that she is a developing personality, but some of the people at the end of the novel explain her commitment to Compsons in more detail There are things. What I mean is that the fourth part of the novel and the "Appendix: Compson" are the opposite. After serving on Easter Sunday she turned to Compson. The pastor's sermon restores her faith in the Christian god, so her conversion is religious.
With the power of Dilsey of "Brawl and Turmoil", "Competition and Turmoil", the fate of the Compson family is a depiction of southern Antiquity and New South, and these demons in the south are rising from the ruins. Through Compson, Faulkner soon remembered the sad self-mercy of a depraved ancestor, and in Jason, anger and resentment after falling. In the whole novel, Dilsey is quiet and strong in this irrevocable tragic family. - "Tomorrow" monologue in Shakespeare's "Fifth Act" in "The Sound and the Fury" Macbeth scene v of the tragedy of Shakespeare provides a central theme and image for "brawl and fuss" To do. Faulkner may or may not agree to this stupid and nihilistic life explanation, but he is extensively studying this function. Every day, tomorrow, tomorrow, tomorrow, with this little rhythm we reach the last syllable of the quietly recorded time; yesterday we all set a fire on the dusty road It was.