The Strange World of Albrecht Dürer

Albrecht Dürer, born in Nuremberg, Germany on May 21, 1471, was born in Albrecht Dürer and Barbara Holper. He was the second of the 18 children, many of whom died as children.

When Dürer was 13 years old, he became an apprentice of his father's goldsmith. Two years later he quit the apprentice and became a painter, felt uncomfortable, but his father did not want to be famous in Germany and all over Europe. After finishing the custody of his father, Dürer started an apprentice of three years under the direction of a painter and printmaker Michael Wolgemut (1434-1519). Dürer personally learned about this emerging industry by publishing the Nuremberg Chronicle (1493) through his godfather, Anton Coburg (1440-1513).

During the apprenticeship of Wolgemut, Dürer studied the art of woodcut prints. And it was mainly used for picture books. After this practical education, Dürer began his skillful work and traveled to Basel in Switzerland where he kept making woodcut prints for trade in books. In 1494, Durer returned to Nuremberg where he married Agnes Frey and began his independent career as a painter and printmaker.

In the mid 1940's, Dürer focused on the creation of 1 page prints and woodcut prints. His vivid imagination and skill brought him a great awareness and stable sales He often created altars and portraits painted in Europe including celebrity commissions such as Maximilian I I will be asked

Dürer is a successful painter, but he likes more advantageous print media and more personalized painting art, neither gives him a greater degree of artistic freedom. In Italy tour from 1505 to 1507, Dure advanced further research on human proportions, linear perspective and humanism. All these were his intellectual artistic pursuits. At the end of his life, Dürer will focus on his written heritage, including man's proportions, papers on strengthening and geometry.

The death of Dürer in 1528 became widely known, and today he is still one of the most respected artists in German art history.

Albrecht Dürer, born in Nuremberg in 1471, is the son of a goldsmith Albrecht Dürer (1427-1502). His godfather, Anton Kuberg, was his German major publisher at the time. Young Dürer was trained with his father and from 1486 to 1489 he was an apprentice of painter and woodblock designer Michel Wolgemut. Between 1490 and 1494, Dürer traveled throughout Germany and Switzerland, and during the autumn of 1494 to the spring of 1495 he visited other cities in Venice and Italy and returned to Nuremberg to settle it . He visited Italy again from 1505 to 1507. In 1509, Durer purchased a house in Nuremberg and became a member of the Great Council, showing his prosperity and social status of his growth. Dürer received commissions from several projects of Maximilian I and Maximilian I awarded Artistic Pension in 1515.

Albrecht Dürer was born in Nuremberg, Germany on May 21, 1471. His father, Albrecht Dürer, was a middle-class goldsmith who got him a trip to the Latin language school in St. Lawrence. Later Dürer apprenticed his father. Before being an apprentice of the painter Michael Wolgemut, he completed some of his earlier works at the age of 13 in 1484. This is his autobiographical series. In 1494, Dürer raised his social status as he was engaged in the prosperous machine and equipment manufacturer's daughter.

Albrecht Dürer likes taking self-portraits. In the first half of his life, Dürer made a series of beautiful self-portraits. The youngest was made when the writer was a premature boy of 13 years old in 1484. It is drawn with silver dots. After that, he wrote in the upper right corner like this. "In 1484, when I was a child I took off from the lens - Albrecht Dürer" But today I want to talk about another masterpiece. It is an iconic self-portrait, or self-portrait of 28 years old, wearing a fur collar-coat early in 1500 just before Dürer's 29th birthday. This is the end of his three self portraits. It was considered to be the most unique, iconic and complex in his self-portrait, and became a fixed portrait of the public.