The Strange World of Albrecht Dürer

The creation and wisdom of Albrecht Dürer is obvious in his printmaking, and he often uses visual symbols to add meaning to his work. The contemporaries of Dürer will understand the deep meanings of animals, plants, tools and other seemingly meaningless details in his printmaking.

For a long time, scholars have been working on deciphering complex images by examining the symbols they painted, such as Knight, Death, Devil, Melencholia I, and so on. This form of investigation called images identifies and interprets visual symbols of art works. To better understand. The historical significance behind Dürer's symbol may disappear for modern audiences. This page is designed to help you decode some of these symbols. Interpreting the image of Dürer is only one way

Albrecht Dürer, born in Nuremberg in 1471, is the son of a goldsmith Albrecht Dürer (1427-1502). His godfather, Anton Kuberg, was his German major publisher at the time. Young Dürer was trained with his father and from 1486 to 1489 he was an apprentice of painter and woodblock designer Michel Wolgemut. Between 1490 and 1494, Dürer traveled throughout Germany and Switzerland, and during the autumn of 1494 to the spring of 1495 he visited other cities in Venice and Italy and returned to Nuremberg to settle it . He visited Italy again from 1505 to 1507. In 1509, Durer purchased a house in Nuremberg and became a member of the Great Council, showing his prosperity and social status of his growth. Dürer received commissions from several projects of Maximilian I and Maximilian I awarded Artistic Pension in 1515.

Albrecht Dürer was born in Nuremberg, Germany on May 21, 1471. His father, Albrecht Dürer, was a middle-class goldsmith who got him a trip to the Latin language school in St. Lawrence. Later Dürer apprenticed his father. Before being an apprentice of the painter Michael Wolgemut, he completed some of his earlier works at the age of 13 in 1484. This is his autobiographical series. In 1494, Dürer raised his social status as he was engaged in the prosperous machine and equipment manufacturer's daughter.

Albrecht Dürer likes taking self-portraits. In the first half of his life, Dürer made a series of beautiful self-portraits. The youngest was made when the writer was a premature boy of 13 years old in 1484. It is drawn with silver dots. After that, he wrote in the upper right corner like this. "In 1484, when I was a child I took off from the lens - Albrecht Dürer" But today I want to talk about another masterpiece. It is an iconic self-portrait, or self-portrait of 28 years old, wearing a fur collar-coat early in 1500 just before Dürer's 29th birthday. This is the end of his three self portraits. It was considered to be the most unique, iconic and complex in his self-portrait, and became a fixed portrait of the public.