The Stepford Wives (1975)

In the premiere of the former Stafford's wife in 1975, the film director Brian Forbes was beaten with an umbrella by a woman known as "extremist freedom". This situation is unlikely to happen to Frank Oz who commanded shiny remake. His movie is as interesting as the previous album, it is very dark. Male violence has been replaced with charm and microchip as the hitchcock style bad faith disappears. How big is the difference in 30 years? These two movies are a snapshot of change and change society. Alilaic's novel is one of the most troublesome stories of emerging women's liberation movement, becoming a comedy, worth celebrating less than half-life - and a survey

The supermarket was not that bad. Together with Stefford's wife, director Brian Forbes made a thriller in the outskirts of the sun. If you do not receive the recipe, the modern women in 1975 were replaced by robots without souls. After 40 years of dying this movie skillfully explored the role of women at home and played a role as a horrible sex survey, turning "Stevenford's wife" into a household name. "It is integrated in the language," Nanette Newman starred in the awesome Carol Van Sant and married Forbes before dying in 2013. "Stepford's wife embodies a perfect makeup that looks perfect and shows him a very perfect look."

In Protection Andy Warhol 's "Vampire" (Dracula, 1974), class conflicts are clearly reflected and other class differences and struggles in other horror films can be found in other horror films. For example, Stepford Wives (1975, 2004) and Candyman (1992) of Mrs. Wife, the wife of his wealthy cadres mind trophy, are in the inner world of Chicago's Netherworld, Cabrini Green. A housing project encountered with a monster of the same name (see Figure 4). Of course, Candiman also changed the racial fear and anxiety in American culture into a fear clause. A classic horror movie such as King Kong (1933) evokes the fear of mixed blood on the black skull, this beast fell in love with (white) beauty, passed by Val Lewton's "I zombie" (1943 ) Threatening black people as a white audience. When projected in a movie, homosexuals usually filter through images of horror films.