The Sound of Music

Sounds of Music In 1965, Robert Weis screened his box office movie 'The sound of music' in the world. As time goes by, it is one of the most popular and famous musicals of all time. Immediately after the release, I received many Oscar awards: Best Film, Best Director, Best Sound, Best Adaptive Music, Best Movie Edit, Best Film Music, Best Color Photography, Best Costume Design (Freiden par 3) VonTrapp family's true story Based on the movie, the viewer relies on family experience and enables you to start with Nazism before the outbreak of World War II.

In the 1950 's, in collaboration with Fluxus, I saw the resurrection of experimental symbols that cast doubt on the various concepts of "music" after the war, after nuclear power, and the present age. Is it music? Are the two sounds music? What happens if you hear a sound from striking the two tubes so that the inner air column is arranged in such a way that two consecutive blows produce a perfect genuine cadence? These ideas are still controversial, but traditional notation still exists, and all music that is recorded and played today uses the symbolic techniques and products made in the Renaissance. Instead of inventing new symbols, we need a way to exploit the constraints of classical symbols to allow access to the symbols of all sound events inside and outside the metric domain.

Origin of Music Symbols Early music works are limited by the range of human voices. People of all cultures always use their own instruments to sing and make sounds. Notation or composition music is designed to remember improvised performances by performers, preserve what you create, and promote interaction among multiple performers. Music symbols like language have a long history dating back to the Middle East in the 3rd century BC. The ancient Greeks seemed first to try to change music by alphabet, and civilizations of all ages all over the world tried to develop a similar system of recognizable musical symbols.