The Silent Cinema

As Richard Abel observed, "The significance of silent films for us ... unlike our own film in the latter half of the 20 th century ... became very strange", but that is It is difficult to be silent. This movie is considered an outdated movie (4). But the tribute to the best movie produced by the 2011 artist - silent film at Oscar may be worth studying the nature and appeal of the silent movie. Silent movies work to a certain extent like scenes with modern special effects. It is reserved for imagination and appeals to viewers to use their minds to accommodate dynamic images.

In an article on early movie sound effects, Stephen Botmore wrote as follows. "Modern silent film enthusiasts have become silent people without silence" (129). In fact, like the words Charles Mussell, Tom Gunning, Irene Keppers, Gillian Anderson, Tim Anderson, Martin, the word "silent movie" looks more like anachronism. Scholars like Max established a framework to examine how music and sounds are played. Even conversation contributed to the experience of the early film audiences. Recently, however, Rick Altman expressed it as a "silent silencer" that tells this premise and a movie without a kind of live theater. Is the silent movie "silent"? In order to explain the rock band oasis, the answer seems to be "absolutely possible". It all depends on where and how the movie will be shown, and how you define the nature of the sound in the early movies.

According to Silent film scholar Anna Kesi of the University of California, Berkeley, in the silent film in the United States, from 1913 to 1921, under the influence of German silent film technology, the change in acting technology started to be seen. This is largely due to the influx of immigrants from the Weimar Republic "Including Film Director, Producer, Photographer, Lighting and Stage Engineer, and Actors and Actresses". Silent movies are played at different speeds (or "frame rate") from 12 to 40 fps depending on the year and the studio until the projection speed of the sound movie reaches the standard of 24 frames per second (fps) between 1926 and 1930 It was filmed. Thanks to the Lumiere brothers' cinematograph, "standard silent film speed" is generally considered to be 16 fps, industry practice is very different, there are no real standards. Edison's employee William Kennedy Laurie Dickson settled down at an amazing speed of 40 frames per second.