The Shot

When the morning sun illuminates the texture of the soft dew of the soft green lawn, the lizard passes by and elegantly kisses the surface like an eagle flying in the sky. George was lying without moving on the surrounding gravel and sand, but he was indifferent to the wonderful environment, but he was a nasty clumsy fool and years ago "like a foot Bear "focused on. They are here to use a slut that killed in cold blood; harmless, incompetent, and helpless - this will annoy George's dreams and memories for years; he never forgets him Today - he killed Lennie Small.

Medium shot: A lens showing a figure from the waist. The first game between George, Lenny and Taylor Ranch's boss consisted entirely of medium shots. Lenny and George appear from the waist to emphasize extreme differences in size. Similarly, the boss will fire from the waist sitting on the table. Pan (or pan shot): The camera moves and the camera body rotates left and right. On the screen, make a moving frame that can be scanned horizontally. In OF MICE AND MEN, this type of lens is often used to connect George and Rennie, highlighting the close connection and interdependence between them. Panning lens also emphasizes movement. When the bus goes down the road to Tyler Ranch via George and Renny, the camera follows the panning lens and looks faster than it actually is.

The Moon Kingdom opening sequence tracks Suzy Bishop's home shots and interior shots in combination with panning shots first. In each shot, the moving direction of the camera changes. Horizontal tracking from left to right, horizontal tracking from right to left, moving up (crane shooting), tracking forward, panning around the room. When the camera ran smoothly all over Suzy's house, it showed the relationship between her world and her family in detail. When the camera is tracking, viewers can see all Suzy items, such as scissors on the left hand, record players, binoculars, books, school bags, kittens, and so on. In addition, the family of Suzy (mother, father, three brothers, and Suzy) were isolated in their own space. In addition, each tracking lens gazes directly at the camera with binoculars and is placed on the blank side of Suzy (all of which is visible in Figure 1).