The Short Story Theories Of Ed

In both articles, each author is trying to share their theories and theories about short stories. Edgar Allen Poe's view is very pessimistic about novels and other forms of novels, but B. M. Ejxenbaum uses a more analytic approach. "This novel certainly needs hard things - but that is a sustained problem, there is a relationship between talent and mortgage," Pau writes. The main difference between the author of the novel and the author of the novel is only a novelist and is a non-genius ESP.

Given the common interests of short story theory and sensibility theory in what can be called events (or moments), will influence theory provide a set of tools specifically related to reading short stories? Do short short stories provide particularly productive capabilities to explain the impact of operations? At the most basic level it is possible to provide more productive opportunities in a short story for dealing as, for example, an emotional moment (or moment, or insightful moment, or moment, or Epiphany moment) is. From emotion to emotion, or emotion to action?

The process of morality and "telling the story" also focuses on the aesthetics of short stories and post colonialism, in post colonial short stories by Paul March Russell (editor) and Maggie Awadalla (editor) It appeared. Editors refer to Walter Benjamin's article "The Storyteller" (1936), discussing Deleuze and Guatta's borrowing while recalling the revival of postmodern folk vocabulary in a post colonial short story (2-3). The concept editor of "small literature" also quoted Frank O'Connor (The Lonely Voice, 1962), the premise of the famous "Lonely Boyce" of Irish writer Frank O'Connor. This convergence and colonial studies are related to the evolution of eclecticism, immigration, overseas representatives, and globalization. The tradition of borders and margin negotiations in short stories has resonated with a series of contemporary issues in colonial postwar literature.