The Sheltering Sky

Protecting the sky Part 1: My vision It is difficult to imagine how to turn a novel into a satisfying movie after reading Paul Bowers' novel "Protect the Sky". How can you imitate this descriptive environment and emotions if there is no expression benefit of Paul Bowles? Novels do not have typical movie plots, even actions and love stories, and the end is not definitive. Today, actors can play a deep and complex role depicted in books.

A few months before I left Morocco, I read "The Sheltering Sky" at the recommendation of my friend. This is a poetic book about the couples' North Africa trip after the Second World War. This is one of the most beautiful books on existential despair and what I read. I know that my journey is probably not an end to existential despair, but there are some topics about the trip.

The extreme situation brought substantial change. At least when Paul Bowles and Cormac McCarthy wrote their own books The Sheltering Sky and Blood Meridian. Both authors place their roles in a difficult position, deal with the difficult people and expect them to change. In The Sheltering Sky, Bowles took his American trio and put them in the desert area of ​​the continent of Africa. There, wide, dry and desolate terrain damaged their heart and body. Likewise, McCarthy took his irregular predator. And the most prominent were children, and they last long in the vast west. These two practices of forced growth do not change in either book, and readers can see unique opportunities for these changes from an objective point of view.

Many books and film critics assert that there is no way to turn Paul Bowers' novel "The Asylum Sky" into a satisfying movie. In 1990, Bernard Bertolucci converted the 1949 novel into a movie. After reading the novel for the first time, after painting a definite picture in it, I was forced to see the story and the character in different ways, looking at the movie of Beltroch. His choice of actor reflects his view on how to draw a plotline. Bertolucci chose Debra Winger, an excellent actress who played this part in Kit. By choosing her, he developed a part of the kit to a strong, emotional and disguised woman, not a blond, weak lady, as depicted in the book. As a port, John Malkovich develops this role into a mature person who has confidence in having a clear emotional aspect.