The School of Athens by Raphael and Judith Decapitating Holofernes by Artemisia Gentileschi

Artists have a lot of motivation to produce art. Rafael's "Athens Academy" and Artemisia Gentileschi's "Judith Decapitating Holofernes" show this. Rafael used many models and people to demonstrate the intellectuals of Athens. On the other hand, Artemisia Gentileschi depicts the scene of the Old Testament in her work. Artemisia was born in Naples, Italy on July 8, 1652. She is considered one of the most famous female artists of the Baroque era.

Baroque artist Artemisia Gentileschi draws all his Judith as a self-portrait from his own theme of "Judith Beheading Holofernes", draws himself as a heroine of the Old Testament Jew, and at the age of fifteen he heads his head all I raped. Portrait, Agostino Tassi (Perugia, 1578 - Rome, 1644). In fact, she converted all the bondage of the murdered villain and religious art into the image of Tahi. He was dismissed by Artemisia Gentileschi and for now is forgotten, except that his art was fired - she is the first modern vision, a symbolic, early feminist painter of Caravaggio in innovation and technology is. it's beautiful

Judith Slaying Holofernes is a painting by Artemisia Gentileschi, an early Baroque artist from 1614 to 1620. This work shows scenes of Judith Short Dungeon Holofernes as part of a group of art critic art critics. "Women's power" indicates that women will beat strong men. The theme uses the episode of the Old Testament Du Fu's "Judith Book". And it tells Assyrian general Holophen that the assassination of Israeli heroine Judith. This picture shows the moment Judith escaped the general after he fell asleep with the help of her maid.

Judith Beheading Holofernes - aka Judith Slaying Holofernes - is an example of the assassination of Israeli Jewish clergy by Jewish Jewish clergy, traditional virtues, and traditional beauty purity. In the story, Holofernes is trying to destroy Judith's home Bethulia, but she entered the general tent with his beauty, and put his head out after being helplessly intoxicated. Just as Judith tried to deceive him with the help of her maid Abra, this picture represents the moment that Horfa Ness awoke from a coma. This is a story that Italian Baroque artists often use to show women a tyranny male. Gentileschi uses itself as a model of Judith and Tassi functions as a model of Holofernes.