The Role of Women in The Stone Diaries

The role of women in stone diaries Gender inequality exists from the beginning. The various roles assigned to men and women in society still make even differences that have not been overcome yet. These gender differences are evident in the Stone Diary of Carol Shields. Initially, the hero's Daisy Goodwill was a weak and weak woman, and her only pleasure came from praising the little things in life. After a series of personal activities she experienced tremendous change and became a more powerful individual. Daisy's request for continued self-reliance is achieved through a change in the society surrounding her.

A fiance to women and a woman. In the stone diary, the shield has used the role of Daisy goodwill to show changes in the role of women in society for many years. Through the use of expression by Carol Shields she pushes up the idea of ​​autobiography to a different level by "reconstructing the idea of ​​human life through fiction - imagination" (Delese 1995). Shield not only uses characterization as an important element of her writing but also uses themes and tokens. In her novel "The Stone Diary", Shields develops "centered on the two central metaphor of flowers and stones" (Marta, 1996). This symbol and theme, flower and stone use, life and death symbolize the daisy goodwill's life cycle. Her name, hobbies, career, and affection are symbols of the beauty of plants. Flowers are prospective, complex, beautiful things, from birth to mature creatures, and spread that species

Carole Shield's novels, stories, and plays express the lives of ordinary women and men, usually in a gentle and satirical style. The Pulitzer Prize "Stone Diary" (1993) started in the early 20th century in Manitoba, "negating" using various voice and sentence strategies from the life of Daisy to the birth. In 2002, a middle-aged professional woman was faced with the essence of gentleness and a comfortable family life collapse. Audrey Thomas reveals the dilemma faced by women among innovative short stories (real mothers) and novels (Intertidal Life, 1984; Graven Images, 1993; Isobel Gunn, 1999). Jack Hodgins depicts a surreal island world with The Invention of the World (1977) and The Macken Charm (1995). Epic has more than life, eccentric characters, and it conveys the rich history of Vancouver Island. Daphne Marlatt completely modified the history, narrative and sexual behavior of the families and colonies of Ana Historic (1988) and Taken (1996).