The Role of Women in Fuenteovejuna

The theater of Lope de Vega contains several important elements and ideas presented in many other stories that are read throughout the semester. This includes the role of gender in the Spanish town Fuenteovejuna and the different opinions of men and women. Another theme is the importance of the family, love and relationships, their connections to their loyalty, trust, and personal beliefs. The last major influences seen in other literature and Fuenteovejuna are political and religious references through the script.

The play "Fuenteovejuna" was written by Lope de Vega from 1612 to 1614 and published in Madrid in 1619. It is a literary work that shows the lives of the majority of the 15th century historic kingdom of Castile. Obviously, this drama is not a series of dramatic events. Because it reflects the political and social aspects of Spain this time. However, at the political level, we can speculate that the themes of love, morality, and morality play a much greater role than the first theme. Therefore, there is a view that not only drama is based on political background, but also that the influence of the theme of love on its political features should be underestimated. Thanks to Frondoso's declaration, we can not question the prominence of the theme of love in this play. He said that Fuente Ovejuna is uprising for love.

When analyzing the treatment of Lope's love in "Fuenteovejuna", a central love story between the hero's Laurencia and the farmer's couple Frondoso of the village tortured by Comendador Fernán Gómez when he pursued Laurensia You must think about it. The author knows that love is a powerful tool to create an opinion among spectators and to build an emotional relationship between the characters and the audience. The depictions of the couple are used to evoke the feelings of emotional affection. The love of Laurencia and Frondoso could be said to be forward positively like Rop to increase the dramatic elements of Gomez's actions and to force the audience strong hatred against the rogues in the play.