The Role of Trees in Hurston’s Seraph on the Suwanee and Their Eyes Were Watching

The role of the trees in Heston's treachery at Suwanee and their eyes looking at the tree of God, as a heroic awakening of Helston's heroine, their eyes watching God are indispensable in Swanni's Seva It plays a role. Places that offer "sparkling and shining", or places that bloom in matured flowers die like withered fruits. Carefully reading the pear tree and Arvay's mulberry tree reminded us of the image of the remarkable female gender and in the first quarter of each story Heston emphasizes her character's initial experience and shape development did.

Hurston 's seraphs were intense with Suwanee, and their eyes saw some scenes in God. Seraph's suwanee sees God in their eyes. In their eyes, looking at the beginning of God's 183 page, "The gun suddenly appeared ..." "It is over" ... to remove the teeth of a dead cake from her arms "p.184 Seraph of Suwanee In response to the scene of "She threw her hand ... ..." It ended on page 145. The premise of each scene is the same.

Their eyes looking at the image of the sea of ​​Heston are turning their eyes towards Suwanee watching God and Seraph. "She is seeking to see in her soul." Zora Neil Hurston's eyes see God. Two main characters of the role novel, Janie and Arvay, recognize the importance of enjoying life personally and how to make this perception surrounded by their own happiness. In these two novels, Heston uses sea words and figurative images as a symbol of this self-affirmation.

The release of Sutherland's "Zola Neil Hirston: Novelist - Life of Humanist / Work" (BlackW, August 1974) is a good overview of Hurston 's life and work, except for Suwanee' s Sewph. Southerland attracted attention in several comments on the dust track on the road that led to criticism of Herston's lack of racial consciousness but believed that her other work denied this criticism It was. However, Sutherland insists that the best novel by Harlem Renaissance written by Hurston and Wright is not clear. Because both authors did not write a novel called Renaissance at this time of the year.

In 1947, Heston signed a novel contract for the son of Charles Scribner and the white family in the south. Suwanee (1948) Seraph wrote in Honduras looking for a lost city trip with funds from Scribner's prepayment. She is ambitious for Suranelle of Slane. She challenges folklore and wants to prove that a black woman can write a white man. The novel tells the story of the gradual upward movement of women fighting her identity with marriage to a poor white family in Florida. The word of this novel is the language of the southern part. Heston wants to prove that the south blacks and whites have a common linguistic and cultural influence