The Role of the Body in the Works of Samuel Beckett

In all the works of Samuel Beckett, people are extremely concerned about the body as a medium of "physical language" (Hunka, 2010), as a catalyst or metaphor of metaphysics and philosophy. Therefore, Beckett's body is not just a container of characters, it's its own pillar that can be used to explore and exaggerate the themes and ideas of his own play. Studies of drama "Happy Days" (1961) and "The first part without words" (1956) show that communication as language can not be achieved. Physical dependence itself.

In a world where the outlook of life is dark and not important, the goal is to aim for it. This problem is often thought when reading the two plays "Endgame" and "Waiting for Godot" by Samuel Beckett. Like many writers, Samuel Beckett applies a philosophical or universal theme to their work that can be seen through stories. Beckett's world is full of mediocre events, unambiguous figures in a few days. Through work "finishing" and "waiting for Godot", Becket explained a trivial day and events that did not change life.

This opportunity played an important role in Samuel Becket's tragic comedy "Waiting for Goddy." In human life, opportunities, not reasons, will greatly affect our lives. According to Mr. Beckett, the results of this age will be meaningless as human life completely depends on opportunity. Opportunities influence the value of time, which is also a potential factor behind the existence. In "Waiting for Godot", there are people who believe that existence is based on opportunities, others are based on opportunities for human life. Beckett was established in the beginning of the play. "One of the thieves has been saved, this is a reasonable percentage" (Beckett, 5). Vladimir mentioned here the parable of the two thieves in the Bible. Probably the intention of Beckett is that human destiny is determined at random. The probability that a person is cursed is an unknown proportion. There is no model behind it. I do not know how high the likelihood that people will be cursed or saved.

Born in the outskirts of Dublin in 1906, Samuel Beckett is the mother tongue of English. But in 1946 Beckett decided he would start writing in French. After writing the first draft in the second language, he translates the word into English. This difficult constraint - forced to consciously elucidate her own sentences - is that during this period Many of Beckett's most famous work (Malloy, Malone died, Godot waiting, etc.) Because it was written. . When asked why he wrote in French, Beckett said it made it easier for him to "write without style".